Les chroniqueurs nous présentent leur one man show !

The conversation begins with a joke about Carrefour Market, involving a gesture that is described as a "zigzag" or a "spring." The gesture is made by a finger starting from the mouth and moving outwards. It's also compared to a "lightning bolt" in Switzerland, which is deemed "familial." The joke then extends to Belgium, where a lightning bolt is also slow, but in a different sense than in Switzerland. The discussion highlights the common practice of making jokes about the Swiss and Belgians, with the Swiss being described as precise and meticulous. One participant mentions having a serious one-man show project and having performed the opening scene for two others. Despite initial denials and shyness, he is encouraged to perform something. He describes a scene where he arrives dressed as a delivery person with a trolley and cartons, implying a theatrical setup for his act. He expresses the desire to share what has happened in his life over the past five years. The idea of a producer, Guillaume, wanting to produce the show is brought up, with a humorous remark about him potentially losing money. The show is envisioned to culminate in a date at the Olympia, with the title "TV is not what you think." There's a discussion about whether a tour of 500-1000 seat venues would be successful, with a suggestion that being "seen on TV" could boost ticket sales. The participant believes his act could work if he arrives as described, and he proposes that everyone present try to come up with an opening for a show. Several attempts at show openings are made. One participant says, "I don't give a damn," while another is urged to perform with music. A participant named Guillaume starts by saying he is "extremely uncomfortable" and declares, "Good evening everyone. Good evening. This is the end of the show. Thank you. Good night." This is met with applause and laughter, and the difficulty of starting a show is acknowledged. Geraldine is encouraged to speak, and a humorous warning about not getting tangled in "wings" or "balls" during the performance is made. Another participant expresses fear and uncertainty about what to say, questioning if a joke about getting vaccinated would be well-received. This performance is praised for its talent. The next person is told to perform from closer to the audience, and humorously advised not to "pass behind that," referring to the previous act, implying it was very good. A participant then sings an anthem that has accompanied him for 30 years, described as being for when one is "in the desert for too long." The song is attributed to "Jean-Patric de Jean de gens pratiquent pas que des vieilles," which is met with laughter. The idea of a "Who Wants to Be My Associate" for comedians is suggested, with initial "zero" investments for some, while "Gadine" is considered to have potential. Another simple opening is presented: "You arrive, you look for Fatou." The conversation shifts to whether advertising can save them, noting that one person seems to be "over-revving." The idea of starting a show with that energy is deemed good. A small bet is placed on Gill. Finally, a participant admits to preparing a show for a long time and reveals a highly anticipated "signature act": a double knot with his "thing." This act is met with enthusiastic applause and is declared the "best." The participant is praised for not stuttering, which is seen as a positive sign for a stage performance. The discussion ends with a humorous reference to someone who was at a debate yesterday and managed to surprise everyone, even while discussing serious topics.